الكتابة الرقمية المغاربية:قراءة في تجربة سعيد يقطين

Abstract

Summary This research examines and analyses the issue of Maghreb digital critical writing through the vision of Moroccan critic (Said Yaktine), which he included in two books; The first was titled (from text to Hypertexte, an introduction to the aesthetics of interactive creativity 2005) and the second book (Hypertexte and the Future of Arab Culture, Towards Digital Arabic Writing 2008), through which he attempted to root the concept of interrelated hypertexte in Arab culture and to review the concepts of text, Arabic writing and literary and critical creativity according to the new text. The study began in the first chapter by examining the nature of Maghreb digital critical writing, then stood at its manifestations and paths, then proceeded to research the most important issues and problems encountered by those interested in the field, and chapter II addressed the concept of Hypertexte from the perspective of (Said Yaktine) researched translation and attempted to root the term, the types and characteristics of the Hypertexte, the steps of its production, the methods of reading it, as well as the mechanisms of transformation towards the theory of textual bonding as proposed by the critic. Chapter III deals with the forward-looking visions he presented for the future of Arab culture, represented by Arabic writing, and the Qur'anic text as a model for the only Arabic text that has achieved the transition to digital writing. It also deals with the digital narrative achievement and its races and his proposal to read Arabic poetry in the light of the interrelated text. The study concludes in its general conclusion that the critic's theses should be taken into account and adopted as a reference for the development of Arab cultural discourse.